CONSUMED
CONSUMED

A series of large scale monochrome paintings that use Victorian pornography as the source material. The pictorial space is created by the subject matter both feeding off itself and then reproducing or dividing out of itself. The sexual nature of the subject matter further enhancing this self reproduction across the picture plane. The staged nature of Victorian pornography ape a conservative type of 19th Century salon painting; the photography displays its corruption of societal conservative reserve, the mask of so called decency fallen away.

My idea was to use this imagery as a comment on a modern depravity, the decay into self-obsession, where our pictorial spaces used for communication have devolved into a pornographic display of narcissism and self-obsession. The victory of mass materialism has morphed the consumer into the consumer of themselves, a type of self-cannibalism.

.

Consumed Exhibition
Consumed Exhibition

Four of these recent large scale monochrome paintings were shown alongside works from another series:’ Progress’ which also uses historical subject as a device or way to reflect upon the contemporary world.

The work was shown in the Art Otel Gallery space in Shoreditch London. In an added dramatic twist to the show; the pornographic paintings were censored half through the display period; after complaints from a visiting company of highly sensitive lawyers who made complaints to the hotel. The gallery decided to censor the work by covering over my paintings with large sheets of blank white paper, then a series of my earlier works were projected over the top. Though bizarre it seemed to illustrate a further idea that while the orgiastic pursuit of the self has no shame; a new rise in conservative puritanism seems to have been sucked into the vacuum or emptiness of this ravanous self pursuit.

Or maybe the lawyers just didn’t like my dirty pictures?

IMG_9282.JPG
IMG_9292.JPG
Narcissus and Echo
Narcissus and Echo

300cmx220cm

Acrylic on canvas

2025

Himeros and Pothos
Himeros and Pothos

mixed media on canvas

300cmx240cm

2025

Kiss
Kiss

Acrylic, ink and spray paint on canvas

300cmx240cm

2025

Tiresias
Tiresias

Charcoal, spray paint and acrylic

300cmx240cm

2025

Tegument
Tegument

120cmx150cm

acrylic on canvas

2025

Study from a Victorian photograph
Study from a Victorian photograph

Oil on canvas

140cmx170cm

2025

Two Figures on a Bed
Two Figures on a Bed

190cmx230cm

acrylic, charcoal, spray paint

and oil on canvas

2025

Study No.3 for Time Travellers
Study No.3 for Time Travellers

300cmx240cm

ink and spray paint ion paper

2025

Study for Synthetic
Study for Synthetic

300cmx240cm

ink and spray paint on paper

2025

study for Time travellers
study for Time travellers

ink and gouache on paper

85cmx120cm

2023

Study no.2 for Time Travellers
Study no.2 for Time Travellers

ink and acrylic on paper

85cmx120cm

2024

IMG_9295.JPG
IMG_9296.JPG
IMG_9278.JPG
IMG_9298.JPG
IMG_9293.JPG
Time Travellers (test destroyed)
Time Travellers (test destroyed)

200cmx240cm

acrylic on canvas 2024

Time Travellers ( First version)
Time Travellers ( First version)

210cmx240cm

Graphite powder, ink and spray paint on canvas

2024

Nothing Lasts Forever
Nothing Lasts Forever

Oil on canvas

160cmx60cm

2016

Nothing Lasts Forever
Nothing Lasts Forever

Oil on Canvas

2x 160cmx80cm

2011

Chris Burns interview 2025

Interview made for the exhibition ‘Consumed’

CONSUMED
Consumed Exhibition
IMG_9282.JPG
IMG_9292.JPG
Narcissus and Echo
Himeros and Pothos
Kiss
Tiresias
Tegument
Study from a Victorian photograph
Two Figures on a Bed
Study No.3 for Time Travellers
Study for Synthetic
study for Time travellers
Study no.2 for Time Travellers
IMG_9295.JPG
IMG_9296.JPG
IMG_9278.JPG
IMG_9298.JPG
IMG_9293.JPG
Time Travellers (test destroyed)
Time Travellers ( First version)
Nothing Lasts Forever
Nothing Lasts Forever
Chris Burns interview 2025
CONSUMED

A series of large scale monochrome paintings that use Victorian pornography as the source material. The pictorial space is created by the subject matter both feeding off itself and then reproducing or dividing out of itself. The sexual nature of the subject matter further enhancing this self reproduction across the picture plane. The staged nature of Victorian pornography ape a conservative type of 19th Century salon painting; the photography displays its corruption of societal conservative reserve, the mask of so called decency fallen away.

My idea was to use this imagery as a comment on a modern depravity, the decay into self-obsession, where our pictorial spaces used for communication have devolved into a pornographic display of narcissism and self-obsession. The victory of mass materialism has morphed the consumer into the consumer of themselves, a type of self-cannibalism.

.

Consumed Exhibition

Four of these recent large scale monochrome paintings were shown alongside works from another series:’ Progress’ which also uses historical subject as a device or way to reflect upon the contemporary world.

The work was shown in the Art Otel Gallery space in Shoreditch London. In an added dramatic twist to the show; the pornographic paintings were censored half through the display period; after complaints from a visiting company of highly sensitive lawyers who made complaints to the hotel. The gallery decided to censor the work by covering over my paintings with large sheets of blank white paper, then a series of my earlier works were projected over the top. Though bizarre it seemed to illustrate a further idea that while the orgiastic pursuit of the self has no shame; a new rise in conservative puritanism seems to have been sucked into the vacuum or emptiness of this ravanous self pursuit.

Or maybe the lawyers just didn’t like my dirty pictures?

Narcissus and Echo

300cmx220cm

Acrylic on canvas

2025

Himeros and Pothos

mixed media on canvas

300cmx240cm

2025

Kiss

Acrylic, ink and spray paint on canvas

300cmx240cm

2025

Tiresias

Charcoal, spray paint and acrylic

300cmx240cm

2025

Tegument

120cmx150cm

acrylic on canvas

2025

Study from a Victorian photograph

Oil on canvas

140cmx170cm

2025

Two Figures on a Bed

190cmx230cm

acrylic, charcoal, spray paint

and oil on canvas

2025

Study No.3 for Time Travellers

300cmx240cm

ink and spray paint ion paper

2025

Study for Synthetic

300cmx240cm

ink and spray paint on paper

2025

study for Time travellers

ink and gouache on paper

85cmx120cm

2023

Study no.2 for Time Travellers

ink and acrylic on paper

85cmx120cm

2024

Time Travellers (test destroyed)

200cmx240cm

acrylic on canvas 2024

Time Travellers ( First version)

210cmx240cm

Graphite powder, ink and spray paint on canvas

2024

Nothing Lasts Forever

Oil on canvas

160cmx60cm

2016

Nothing Lasts Forever

Oil on Canvas

2x 160cmx80cm

2011

Chris Burns interview 2025

Interview made for the exhibition ‘Consumed’

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